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SLYTHERIN { wear }
Lauren, 29, dc area, INTJ, feminist, liberal, ACOA, virgo, bachelorette of arts and eventually a juris doctor
Fandoms: supernatural, sherlock, dc comics, cold case, hunger games trilogy, his dark materials, dc animated universe, teen wolf. Destiel is my OTP
People: Jon Stewart, Stephen Colbert, Jensen Ackles, Misha Collins, Jennifer Lawrence, Neil deGrasse Tyson, Chris Hemsworth, Lauren Bacall, Charlize Theron, Gabrielle Union, Tina Fey, Oded Fehr, Matt Groening, Kat Dennings, Aaron Sorkin
Stuff & Things: politics, history, contemporary fiction and non-fiction, art, painting, cooking, writing, crafting, and beta-ing fanfics
Expectations My blog will be an agglomeration of politics, fandoms, geekery, art, and food porn.
SLYTHERIN { POTTERMORE SORTED }
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The Newsroom: Corporations/People
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MacKenzie:
What's the difference between a corporation and a person?
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Sloan:
Have you ever held a door open for someone?
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MacKenzie:
Yes.
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Sloan:
Did you ask them for money first?
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MacKenzie:
No.
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Sloan:
That's the difference.
writer-b:
The transcript above from the third writer’s draft of “A Few Good Men,” by Aaron Sorkin, helps perfectly illustrate a win in the development process, specifically in scene, character, and story evolution.
Throughout the film, assistant defense attorney Sam Weinberg ( Kevin Pollack) makes the argument, (referencing the Nazi’s trial at Nuremberg and Calley’s Officers’ defense of the massacre at My Lai) that, blindly following orders of a superior officer, even if ethical in the context which the orders were given, may be immoral and in fact, unethical and illegal in a greater context. Simply, “I was just following orders,” is not an excuse:
KAFFEE: You don't believe them. You think they should get life.
SAM: I believe every word of their story. And I think they should get life.
In the above-cap’d final scene Dawson and Downey (the Marines accused of murder) have been found “not guilty” of all charges but one: they are dishonorably discharged for “conduct unbecoming a U.S. Marine.” As written in the early third draft, after the decision Dawson, still in denial of his moral duty as a Marine, can’t understand the verdict and Sorkin makes it incumbent upon Sam to explain to him what, in fact, his honorable duty was. Again, we’ve heard Sam make this argument repeatedly and as such, this late in the third act, it falls a bit flat. What we want, and what Sorkin and director Rob Reiner ultimately give us, is Dawson making the realization on his own, having learned from Kaffey’s stunning and courageous examination of Colonel Jessep in the face of potential court martial. This ability to empathize and learn on the part of Dawson demonstrates growth in his character arc, at the same time further validating and underscoring Kaffey’s growth and the overwhelming risk he took on Dawson and Downey’s behalf. Compare the cap above to the scene which made the film:
Downey: We did nothing wrong!
Dawson: Yeah, we did. We're supposed to fight for people who can't fight for themselves. We were supposed to fight for Willy.
What Reiner gives Sam - and us - immediately following this is a look for a couple of beats, a moment of acknowledgment, and we get it all.
I have no idea how the change was made from this draft to that finally shot, but it really nicely demonstrates the difference between good and great filmmaking.
Just a wonderful job of elevating material by two masters.
1/1
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